works where one or more interests are licensed by BMI, including foreign compositions), and an expanded group of additional works not represented by BMI but with interests licensed by and reconciled with our Songview partner(s).Īn authoritative view of data is an important foundation for a properly functioning music licensing system. The data platform contains information on compositions in the BMI repertoire (i.e. +CD Baby Pro Publishing vs.Restrictions regarding the use of the data platform: So you either need a publisher to go and collect. If you have a publisher or admin publishing company, they will collect your mechanicals so you don’t need to worry about signing up with the MLC. Most countries have their own orgs (and all other countries collect US mechanicals from the MLC). Now, if you’re in another country, you can check your local organization to see if they collect mechanical royalties. You can also search their database to see if you have any money sitting there for you. So, if you want to collect your mechanical royalties FOR FREE, head over to and signup. It is the only organization legally allowed to issue blanket mechanical licenses to streaming services and collect mechanical royalties from streaming services (via blanket licenses). This is a newly formed organization in the states created out of the Music Modernization Act. Well, as of 2021, you can get all of the mechanical royalties that had been generated from US streams from the Mechanical Licensing Collective (the MLC). Stem… Who Is the Best Digital Distribution Company For Music So how do you get these damn mechanical royalties? Streaming services do NOT pay mechanical royalties to ASCAP, BMI, SESAC, SOCAN or any other PRO. Spotify, Apple Music, Google, Amazon, etc etc pay these mechanical royalties directly to Mechanical Rights Organizations (MROs) (or Collective Management Organizations – CMOs). +How To Get All Your Royalties: ASCAP, BMI, PRS, SoundExchange and the rest So when you sell a song on iTunes, 9.1 cents is owed to the songwriter/publisher of that song. ![]() And that’s true (for now – it’s going up!). You may have heard that 9.1 cents is earned per download or sale. ASCAP, BMI, etc do NOT collect mechanical royalties. Mechanical royalties are NOT performance royalties. The majority of the songwriter money that comes from Spotify, Apple Music, and all other streaming services (DSPs) are called mechanical royalties. +How Do Producer and Songwriter Splits Work And from streaming services like Spotify, Apple Music and YouTube. When your song is performed live in a venue (yes even by you). On the radio – whether it’s the radio in your car or Pandora or Sirius/XM. These PROs collect performance royalties for songwriters and publishers.Ī performance royalty is earned anytime your song is “publicly performed.” “Publicly performed” is a loose term, but basically means anytime your song is played in public. Good! Do you need a publishing company to collect your songwriter royalties?ĪSCAP, BMI, SESAC, SOCAN, PRS are all Performing Rights Organizations (or PRO for short). And there are TOTALLY different royalties for “songwriters” and “artists.” So you need to differentiate. I know you may be both (Bieber and Michaels are both) and that these terms seem the same but they’re not. (Bieber was also a co-writer so his publishing company also collected royalties for him the Songwriter). Julia’s publishing company collects the royalties for her, the Songwriter, and Bieber’s label collects royalties for him, the Artist. When Julia Michaels co-wrote “Sorry” that Justin Bieber recorded, Julia Michales was the Songwriter NOT the Artist (of that recording – Bieber was the Artist). “Artists” make recordings OF compositions. “Songwriters” write compositions (songs). Ok, lemme break this down in plain musician language. So much so, that most songwriters (and managers …gasp!) think this is all you need to do to get your songwriter money.īut guess what? It’s not! And actually most of the songwriter money you make from Spotify and Apple Music (etc) streams do NOT come from ASCAP or BMI (or SESAC or SOCAN or PRS). ![]() They do a great job of making themselves known. I have to hand it to ASCAP and BMI’s PR departments. The first thing that most young songwriters in the US hear is “you need to sign up for ASCAP or BMI to make sure you get your songwriter royalties.”
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